H. Lecter. (
relished) wrote in
etrayalogs2024-10-31 12:25 am
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( OPEN ) ALL HALLOW'S EVE FEAST
WHO: Hannibal & you!
WHEN: October 31st
WHERE: his house
WHAT: The All Hallows Eve Feast
NOTES\WARNINGS: MASSIVE TRIGGER WARNING: involuntary cannibalism and one (1) artsy nsfw painting*. the link is to the painting leda and the swan. it's labeled with the star (★).

[the preparation for the party was more grueling than he's used to -- he was always able to hire a service to help his parties go as smoothly as possible, but he had to request the help of a few bots as well as Krouse to ensure that he would not be the one doing the serving.
one must knock before entering; greeted by a companion bot to take a coat if they have one. guests are guided through the foyer to the living room, an earthy room with heavy animal imagery. people are encouraged to socialize and relax in front of the roaring fireplace. several small tables have centerpieces of wildflowers that Hannibal has collected and grown as he's spent his time here.
the kitchen is off-limits, but if one might happen to stray into the stark, morgue-like space before Hannibal politely ushers them back out, they'll see Clarke's drawing of the emberbloom and and shadowbloom flowers from months ago as the only picture on the otherwise spotless refrigerator. having the flier there is no accident. he meant for a few curious onlookers to see what is left of her. perhaps it's Hannibal's intention to lead old friends of Clarke's astray to believe he is responsible for her disappearance. he's able to play now, plucking at the strings of minds to enchant and mortify. he knows that suspicions will have risen, but after tonight he's prepared for the onslaught -- so why not have as much fun before the inevitable?
scents of roast meat, cranberries and rosemary embrace guests immediately, delightfully lacing through the halls while classical music beckons them further into unknown horrors. Krouse can be seen making rounds with hors d'oeuvres, an interesting combination of cubed watermelon with what appears to be proscuitto meticulously shaped in the form of a rose, while companion bots carry glasses filled with red wine from his personal collection.
the dining room is lush, one wall stocked with herbs and hanging rosemary and forest imagery. the other wall with a painting above another fire which crackles softly. the mantle, simple yet jarring; large horns on either side with smaller ones laid out between them. the centerpiece is ★Leda and the Swan★, looming as the horns threaten to swallow the painting whole. the table is already set, porcelain charger plates laid in their respective places, with clean empty glasses and three carafes filled with water along the center. small vases of more wildflowers are in along the spread with lit red candles as well, but the table itself manages not to look too busy. snow droplets silently stick to the glass doors and windows, making the home feel warm; gentle, even.
Leda and the Swan is not the only painting to fill his home - art is everywhere, from the foyer to the kitchen, paintings and lithographs can be found in every room. the living room is especially the most wild, with the large oak doors and polished desk and chairs with claws.
Hannibal languidly wanders to greet guests who have made their way inside, dressed in a three-piece suit as usual with a glass of red wine in hand, motioning to wine or snacks. the sophistication that exudes from his home (and himself) can't be missed. those who have never experienced wealth may feel out of place, yet directly eased into the mixed warmth that is passed out with food and wine.]

[after an appropriate amount of time of socializing has passed and he's had help from Krouse to set the table so all of the food is available at once, he alerts everyone by a gentle clink of metal against crystal.]
Dinner is served. Please make your way to the dining room.
[anyone who asks exactly what they are eating is informed that it is veal. "how did you get veal" one may ask, and he'll respond with a sly smile and a twinkle in his eyes. everything they have been consuming and continue to consume has been the body of Samil, every part harvested for use. a petite heart (yes, heart) tartare is served alongside a smaller version of osso buco, which he explains is a traditional Italian dish, with seasonal vegetables.
wine has been replenished, and once settled at the table he raises his glass.]
I hope everyone enjoys eating this meal as much as I did preparing it.
[dig in.]
(ooc: everyone welcome! top level as u desire, tag out to others, get hannibal, etc etc. if you dont want to do an open tl and only want hannibal make sure to add closed to your starter. i won't be adding a starter for him bc this entire party is basically one giant one for him and he can be approached anywhere :) any questions can be left here. ps do not have your character go upstairs that's insane, why would they do that, they'll be redirected ominously. )
WHEN: October 31st
WHERE: his house
WHAT: The All Hallows Eve Feast
NOTES\WARNINGS: MASSIVE TRIGGER WARNING: involuntary cannibalism and one (1) artsy nsfw painting*. the link is to the painting leda and the swan. it's labeled with the star (★).


[the preparation for the party was more grueling than he's used to -- he was always able to hire a service to help his parties go as smoothly as possible, but he had to request the help of a few bots as well as Krouse to ensure that he would not be the one doing the serving.
one must knock before entering; greeted by a companion bot to take a coat if they have one. guests are guided through the foyer to the living room, an earthy room with heavy animal imagery. people are encouraged to socialize and relax in front of the roaring fireplace. several small tables have centerpieces of wildflowers that Hannibal has collected and grown as he's spent his time here.
the kitchen is off-limits, but if one might happen to stray into the stark, morgue-like space before Hannibal politely ushers them back out, they'll see Clarke's drawing of the emberbloom and and shadowbloom flowers from months ago as the only picture on the otherwise spotless refrigerator. having the flier there is no accident. he meant for a few curious onlookers to see what is left of her. perhaps it's Hannibal's intention to lead old friends of Clarke's astray to believe he is responsible for her disappearance. he's able to play now, plucking at the strings of minds to enchant and mortify. he knows that suspicions will have risen, but after tonight he's prepared for the onslaught -- so why not have as much fun before the inevitable?
scents of roast meat, cranberries and rosemary embrace guests immediately, delightfully lacing through the halls while classical music beckons them further into unknown horrors. Krouse can be seen making rounds with hors d'oeuvres, an interesting combination of cubed watermelon with what appears to be proscuitto meticulously shaped in the form of a rose, while companion bots carry glasses filled with red wine from his personal collection.
the dining room is lush, one wall stocked with herbs and hanging rosemary and forest imagery. the other wall with a painting above another fire which crackles softly. the mantle, simple yet jarring; large horns on either side with smaller ones laid out between them. the centerpiece is ★Leda and the Swan★, looming as the horns threaten to swallow the painting whole. the table is already set, porcelain charger plates laid in their respective places, with clean empty glasses and three carafes filled with water along the center. small vases of more wildflowers are in along the spread with lit red candles as well, but the table itself manages not to look too busy. snow droplets silently stick to the glass doors and windows, making the home feel warm; gentle, even.
Leda and the Swan is not the only painting to fill his home - art is everywhere, from the foyer to the kitchen, paintings and lithographs can be found in every room. the living room is especially the most wild, with the large oak doors and polished desk and chairs with claws.
Hannibal languidly wanders to greet guests who have made their way inside, dressed in a three-piece suit as usual with a glass of red wine in hand, motioning to wine or snacks. the sophistication that exudes from his home (and himself) can't be missed. those who have never experienced wealth may feel out of place, yet directly eased into the mixed warmth that is passed out with food and wine.]
[after an appropriate amount of time of socializing has passed and he's had help from Krouse to set the table so all of the food is available at once, he alerts everyone by a gentle clink of metal against crystal.]
Dinner is served. Please make your way to the dining room.
[anyone who asks exactly what they are eating is informed that it is veal. "how did you get veal" one may ask, and he'll respond with a sly smile and a twinkle in his eyes. everything they have been consuming and continue to consume has been the body of Samil, every part harvested for use. a petite heart (yes, heart) tartare is served alongside a smaller version of osso buco, which he explains is a traditional Italian dish, with seasonal vegetables.
wine has been replenished, and once settled at the table he raises his glass.]
I hope everyone enjoys eating this meal as much as I did preparing it.
[dig in.]
(ooc: everyone welcome! top level as u desire, tag out to others, get hannibal, etc etc. if you dont want to do an open tl and only want hannibal make sure to add closed to your starter. i won't be adding a starter for him bc this entire party is basically one giant one for him and he can be approached anywhere :) any questions can be left here. ps do not have your character go upstairs that's insane, why would they do that, they'll be redirected ominously. )
no subject
He insisted I obtain a firearm, and therefore insisted I learn how to use it to his satisfaction, [ he explains instead. This is more forthcoming than he would normally be, but Harold understands give and take and in such a closed, limited setting, with so few resources, he isn't going to get very far by acting like a mysterious bastard at all times. As Accelerator himself had pointed out.
If he's the type to notice such things, however, he might realize Harold is not presently carrying said weapon.
Finally he decides upon: ] Normally Mr. Reese is using rather than demonstrating weaponry, so I would take our lectures as a compliment. [ Extremely true in all respects, and Harold trusts it's no great surprise to imply John uses guns often. ]
no subject
John knowing how to use a gun, John using a gun, obviously regularly to be able to disassemble and reassemble it blindfolded. John insisting Harold learn to use a gun, despite Harold being in a support position. Really, it's entirely logical that he's coming to this conclusion.]
... Does that mean he's a field operative you support?
[He had called them partners before, but that was out of a lack of knowledge as to what their relationship is aside from being from the same universe. The term's vague enough to mean a whole lot of things and fits just about anywhere on the sliding scale of familiarity, so he figured it worked well enough. Maybe they actually are partners, though.]
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That's a logical conclusion for Accelerator to draw, and one Harold doesn't mind him coming to. As he'd said to John, he wants to ensure they aren't separated for missions as much as possible. If they're known to be from the same universe and they want the latitude to react unreasonably intensely when one another is danger, they need to have some plausible reason for caring. Harold doesn't mind shading close to the truth when it's expedient -- not since he's at no risk of placing anyone in danger here for knowing it. That's his usual objection, now rendered moot. ]
Yes, that's correct.
[ He could make a pithy comment about him being the primary asset, the Machine's term for John, but Harold doesn't make pithy comments about the Machine. He does think about it, though. Instead, since it's roasting John hour, he makes a light joke. ]
I didn't think it worth keeping a secret as I frankly doubt he would put up with anyone else. [ Better for everyone if they just don't try. ]
no subject
Hmm.....]
Then it makes sense why he'd want you to learn. [Yep, sorry Harold, he's agreeing with John. As he says this a companion bot is coming around with food, and Accelerator grabs a prosciutto rose.] This way you've got a really fucking convenient way to defend yourself. I guess the safety training means you can do it without accidentally shooting yourself or some innocent bystander.
[He might think safety courses are a dumb waste of time, but guns themselves are very useful!
He's also giving the hors d'oeuvres a look, like 'is this even food? What the fuck' before starting to munch on it.]
no subject
He makes a subtly disgruntled expression as Accelerator reveals he agrees with John. He doesn't take any food himself just yet, though he does intend on eating dinner. ]
I'd rather not shoot anyone at all, [ he says flatly. ] Make no mistake, I realize my safety is often predicated on others being willing to do violence on my behalf, [ Harold sure has spent a lot of time thinking about that one, ] but I, personally, am uncomfortable engaging in it.
[ There is in fact a difference between being the passive beneficiary of something and the active perpetrator of it. There aren't no circumstances in which Harold would use a weapon, but he'd like it to be a deliberate, premeditated act. Going around carrying one just in case a situation arises in which he wants to shoot someone else rankles his nerves. ]
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His thoughts are pulled away from the food when Harold answers, and he raises an eyebrow. Wow, he's starting to sound a little like Yomikawa. Except for opinion on weaponry comes from a place of guilt and compassion, and he isn't sure where it's coming from for Harold.]
Why? [A sudden thought is occurring to him, and he adds:] Does it have anything to do with --- [He doesn't finish that question, instead gesturing at Harold's left leg. While being shot hadn't put him off using guns at all, he could see that being the case for other people in similar circumstances.]
no subject
That would be logical, wouldn't it?
[ Back to Harold giving Accelerator complete non-answers. ]
Let's call it a personal preference. I've never been fond of any form of violence. [ Ironically, this is a completely honest answer; there's nothing deeper beneath Harold's distaste for violence. He's just a sincerely compassionate and kind person who strenuously dislikes seeing others hurt. ]
no subject
Instead he focuses on Harold's opinion on violence. Things aren't quite adding up, given he's a computer guy. There are plenty of jobs out there that involve computer science and don't involve violence.]
Then why work with a guy who uses them?
[Seems counter-intuitive to him.]
no subject
But John is proof enough that a propensity toward violence does not make someone a bad person -- and that a lack thereof does not make them good. ]
Have you ever listened to someone dying, and knew you couldn't do anything about it?
[ His eyes linger on John for a moment, then cut back to Accelerator. It's an intense question, but Harold levels it evenly, with a remote sadness. Maybe this is giving too much away, but they have to have some kind of explanation, and Harold would rather it cleaves closer to the truth than any of the alternatives. Which would all likely be some grade of reprehensible. ]
I have. I don't care for the experience.
no subject
Accelerator has been in plenty of situations that involved someone else dying. It isn't hard to come up with a dozen or so without putting any effort in. The problem is that he was the cause of all of them. He could have stopped things from escalating that badly, but he didn't. He supposes, if he thinks back further, there were lots of instances in the Special Esper Institute, before his ability had fully manifested --
But there are the Sisters to consider.]
................
[He went to prison because he managed to convince the entire goddamn world he knew exactly what he was doing when he killed so many of them. That he had wanted to, and that he had the power to stop the experiment at any time and chose not to. Even if they're in a different universe he can't bring himself to allow for the slightest crack in his plan.
Besides, telling Harold he understands what he's talking about might mean Harold gives him some empathy, and god forbid anyone be nice to him.
It takes him a little too long to think up what to say, and he ends up shrugging.]
I guess that much powerlessness would have a lasting impact on a normal fucking person. [The words 'I'm sorry you had to go through that' are way too soft, he'd choke on them if he tried to say them.] Can't say that I've ever experienced that, though. Back home I'm the strongest esper, so I've never been that weak.
no subject
Harold supposes he does count as a normal person by certain standards, and powerlessness is a state he's had to accept. He doesn't challenge this response, isn't looking for sympathy, and has long since taken action on his guilt over these lost opportunities, the numbers he couldn't save. That guilt will never be erased, but now it lives alongside a host of names that he and John have helped. Saved is too strong a word, it turns out, for what they do. Most people don't need saving. They just need a person in the right place at the right time, for one moment, and that's all. ]
You realize by saying that you've signed yourself up for explaining it.
[ Harold looks at him expectantly. ]
Don't keep me in suspense.
no subject
Like being (mostly) upfront about who he is and what he can do.]
Esper. As in, ESP? It means I'm psychic. Like fucking Mifune Chizuko or.... [Give him a second, he's furrowing his brow as he comes up with another example that an American might know....] .... That movie by the famous author with the bloody high school dance scene?
[Carrie. He's thinking of Carrie. Having never actually seen it, he's only recalling it via cultural osmosis.]
My city is a haven for every kind of scientific research, but the original reason it was founded was for the research and development of artificial espers.
no subject
Artificial, as in-- induced?
[ Is he understanding that implication correctly? Because if he is, that makes Harold very alarmed. MKUltra indeed. ]
no subject
Yeah, as opposed to being naturally born that way. [Those kinds of espers exist, they're just rare.] Every student that registers with Academy City goes through the Power Curriculum Program. It's a series of medical procedures, from shit like hypnosis to electroshock, that alters your brain and body and causes you to split from normal reality.
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Fortunately for him, his brain has always operated on logic faster than feelings, and he draws an automatic conclusion before his horrified disgust catches up with him. ]
And this is what you're in charge of now?
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That's right. I'm responsible for nearly two million kids who've had their brains and bodies messed with so badly it's possible for their fucking delusions to become reality. Thankfully, that's only about forty percent of them, and even fewer have abilities strong enough to actually be dangerous.
no subject
Two million?!
[ He finally hit his limit. ]
That's-- insane. Not to mention reprehensible. [ It just feels like that needs to be said out loud before he can go on. Harold reaches up to rub his eyes under his glasses. ]
So you're the strongest, which means everyone has to deal with you. Is that it?
no subject
All the families who registered with their kids would disagree with you.
[Academy City's marketing department is very, very powerful.]
It means that any idiotic kid who wants clout, or to take over my spot as the top honour student, or any foreign organization or nation wants to destabilize the city or its esper program has to deal with me.
[Which is to say, he's spent about a third of his life having people either try to fight him or try to kill him.]
no subject
You sound entirely too much like an organized crime boss I know. Except it's a school.
[ Comparing him to Elias is sort of a terrifying compliment. It speaks well of Accelerator that Harold doesn't think the resemblance is too strong -- there's just a common thread there in wrangling a city full of horrible criminals into behaving with some kind of order. ]
All right. What does being an esper mean? What kind of power are you talking about?
[ Might as well get into it at this point. ]
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Technically, Academy City is made up of thousands of schools.
[He can't really argue about the mob boss thing, though being part of the mob would make his life a lot easier. The mob doesn't have to worry about working within the law.
Regarding his ability, he only gives a small shrug.]
I can manipulate vectors.
no subject
Then: ]
You can manipulate anything with a magnitude and a direction? [ he asks in sheer disbelief. ] Is this standard?
[ This better be what makes Accelerator exceptionally powerful, and not just standard issue esper fare, or Harold is quitting his understanding of physics and reality and burying his head into Asimov until he forgets conventional laws. ]
no subject
No, I'm the only one with the 'Accelerator' ability. [Part of the reason why he's the #1 Level 5.] Other abilities are shit like electromagnetism, telepathy, aerokinesis, that kind of thing. And only a couple of them come remotely close to what I can do.
no subject
That's your ability, but also your name? [ he asks in a tone of surprise. No wonder it was so odd, if that was the case. Harold isn't going to cast judgment, but he is... a little concerned. What he's learned already has been highly dehumanizing; identity based on ability seems horrific to him. ]
no subject
No, it's only the name of my ability. [Not his name-name, that would be silly. Who would name their kid Accelerator???] I just go by it instead of my real name.
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I won't comment on leaving behind your real name, [ he answers, because Harold is self-aware enough not to want to be an immense hypocrite, thank you, ] but it doesn't seem right to call you by the name of your ability.
[ He would hate to be treated that way. ]
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