Vergil (
antimetabole) wrote in
etrayalogs2026-01-01 12:01 pm
it's just the rain that wasn't brave enough to fall (closed + open)
WHO: Vergil + others
WHEN: Between missions 12 & 13
WHERE: Various locations
WHAT: Some emotional talks. Some yeeting of children. It's a little bit of everything.
NOTES\WARNINGS:No open prompts this go around I LIED one open prompt as of yet, but if you are wanting something particular, feel free to slap down a starter or request one. I will match prose vs. brackets because it doesn't matter to me. There will be discussions pertaining to complex family dynamics (particularly between siblings) that may also further include topics such as loss/death of parents and/or siblings, assumed fratricide (of the accidental variety), and grief pertaining to aforementioned losses. Warnings will be in headers, but will update this as able to/needed!
↪ kyoko
↪ mizu
↪ dante
↪ open
WHEN: Between missions 12 & 13
WHERE: Various locations
WHAT: Some emotional talks. Some yeeting of children. It's a little bit of everything.
NOTES\WARNINGS:
↪ kyoko
↪ mizu
↪ dante
↪ open

no subject
Torture is what most people might have called it.
Dante likes to think of it as introspection.
He'd identified all the times he could have done what his mother had asked more readily, times he could have been nicer to his brother, times he should have stopped and looked and thought before charging in like a bull in a china shop. Vergil had always had that covered, still did, but he'd always been the one with the hotter temper and Dante had loved nothing more than to poke and prod at it to get the results. He'd always thought they'd both been having fun. It was only after Vergil had fallen, that he'd thought him lost for good, that he'd started to realize that perhaps it hadn't been the case.
Having Vergil back now, this changed, more content person that he knows as his brother but doesn't fully recognize... it's strange. The time that his twin had spent away from him, experiencing life unburdened by the yoke of their heritage and growing closer to his son, has had an undeniable effect Vergil and Dante had thought he'd never come out and say that it makes him feel like a bystander, that he's missing something else that he can't quite put his finger on.
"Idiot," he says fondly, unable to break the habit of a lifetime and call his brother something that isn't mildly insulting. "You think I don't know that? I'm the moron who needs to try harder."
He hugs his brother tighter, the way he's imagined he should have done so many times in the past, and places a hand on the back of his neck.
"I need to try harder to be your friend and not just expect you to like me because you got stuck with me in the womb."
no subject
There is some truth to the fact that Vergil's limited patience for antics is extended further than it would otherwise be if they were not connected by blood, but Vergil does not see his bonds of family and blood inescapable duties that he must perform regardless of his personal feelings on the matter. It is as much as choice for Vergil as anything else he now chooses for himself, and how he lives his life now. So, it does not matter how annoying Dante ends up being at times. Vergil does not feel chained to his brother. He may want a temporary reprieve from it, of course, but that desire for the occasional bit of silence and calm does not mean he has any desire for the utter absence of Dante's noise and boisterous nonsense.
Even when they were children this was the case. Vergil did not always want to play, but he never found himself wishing Dante away altogether. Just that he would be held to a similar standard and for once, there would be mention that Dante should know better just the same as Vergil should. That Dante would take things a little more seriously sometimes. That he would understand just because Vergil did not wish to play right then did not mean he never wished to play ever again.
And then their lives were torn apart, and they were separated. For years and years, Vergil blamed himself. Whatever anger he held towards Eva, in feeling abandoned by her, his anger was tenfold for himself in not being strong enough. During those countless nights he spent hunted and alone, he would lay awake, thinking of the family he failed to protect. He would try to find sleep while imagining the gentle melody of their mother's lullaby as she brushed her fingers through his hair until he could no longer fight sleep. He would comfort himself thinking of how he could have been the big brother Dante deserved then if he were there with him. The ground would be too hard, the air too cold. Or he would have a nightmare, and be too afraid to sleep on his own. Either way, Dante would start to complain or cry, and Vergil would do what he could to make it better until Dante finally fell asleep.
He shakes his head as much as he can in this position.
"Don't be foolish," he says, firm in admonishing Dante for the the implication albeit without the usual harsh superiority that slips into Vergil's voice when verbalizing his disapproval for something. "Dante, no matter how angry I've ever been with you, I never..."
...Hated you.
...Wanted to be without you.
The words are sufficient to some extent, he thinks. They're words that Dante deserves to hear, too. But they feel less than they should be, dropping the meaning and weight of that meaning too much for Vergil to feel like they're the right words in the first place. Vergil purses his lips and his fingers curl a little tighter into Dante's coat.
He spent most of his life feeling as though he'd failed his brother. And that compounded onto itself that day on the Temen-ni-gru when Vergil failed to claim their father's power over Dante. All that time he spent trying to gather power and he was proven to be little more than a fraud in the end by that failure. He was a son of Sparda, but he felt the claim of his blood to be far too distant in his defeat. He failed to claim his father's power. He failed to best his twin, who he was meant to be equal with. And this came all after failing to protect him and their mother all those years ago.
The most he could do at that point to avoid becoming so very little more than nothing was not yield on his knees. But that still was not enough. He was still defeated, and he still yielded to Dante all the same. So, it was easier to be angry with Dante, to resent him enough to leave than to sit in the shame and disgrace of it all. He would reclaim something of himself, of who he was supposed to be by putting down Mundus once and for all. Or die trying. Little did he know how much further he would fall then, of just how further into nothingness he could be rendered into being.
"I abandoned you when I should have stayed," he says instead. He does not know what words could possibly begin to articulate any of that to Dante, particularly in a way that did not feel like he was making excuses. Adjusting his hold on Dante slightly, he embraces his little brother all the tighter. "I was too stubborn and too proud before, and I hurt you most of all when I should have been the one protecting you."
Vergil huffs a little, releasing the breath he did not realize he had begun holding.
"I'm sorry, Dante."
For all the times he made Dante feel like he wasn't enough, or as though Vergil didn't like him or want him around. For all those years they lost. For all the pain and grief Vergil put Dante through. He never did anything to deserve any of that.
no subject
Vergil wouldn't have been alone when Mundus' demons attacked. Their mother wouldn't have needed to go looking for him. They could have been together. They could have escaped, grown up together looking after each other, growing strong enough to take down Mundus side by side. Maybe Nero would have grown up with both his parents, grown up knowing his family, his father, uncle and grandmother.
Or maybe they would all have died together.
Dante's pretty sure he wouldn't have liked him much either if the boot had been on the other foot.
But then he hears Vergil claiming he'd abandoned him and it prods at something within him, something he doesn't let rise to the surface too often. Vergil's so like their father sometimes, has always idolized him and wanted to follow in his footsteps. They'd both wanted to be like him, strong, brave, heroic, a champion of those weaker than them. But where had their hero been that day when the house had burned, when his house was burned and the woman he loved butchered?
It had been Sparda's job to protect them all, and he'd failed.
Dante tries not to let his fists ball at the thought, doesn't let that thought simmer to the surface when he and Vergil are finally talking.
"What are you talkin' about? You didn't abandon me. It was never your job to protect us Vergil, we were eight. We were little kids. It's crazy we even made it out alive."
He's never, ever blamed Vergil for any of that. Not even for a second.
"I'm sorry. I'm sorry the only time I actually left you alone was the one time I shouldn't have."
no subject
It feels almost like absolution for Vergil, but an absolution that is misshapen by not being driven not by forgiveness, but rather by guilt Dante bears for his own decisions. Thus, Vergil does not know what to do with it. All he knows is that he does not like it, and it feels like any expression of that is likely to put this whole affair into a tailspin once more. Vergil purses his lips as he tries to find something to say, but he's empty-handed no matter how much he turns it over and over and over again in his head. Whatever he might say about the consequences of his choices being simply that—his consequences for his choices—wouldn't be something Dante could receive any better than Vergil could were their positions reversed. (He does not imagine Dante would become argumentative in an angry way, but under what circumstances would Dante agree with him?) But Vergil also refuses to forgive something that does not feel it is up to Dante to bear responsibility for it, and cannot help but feel a degree of cruelty in not offering forgiveness. And all this while the matter of what became of Vergil after they parted—the thoughts and memories of that still far too close to the surface right now already as it is—making it all the more challenging to find the right words.
Releasing Dante, Vergil separates from him. His silence is visibly not a cold shoulder as he takes that step back. The furrow in Vergil's brow, the avoidance of Dante's eyes, is Vergil withdrawing into his own mind, wrestling with what Dante has said rather than his temper getting the better of him.
no subject
But he doesn't want to lose the connection, even if he feels what he does next is pushing his luck.
He puts his hand on his brother's shoulder and squeezes once, a last affectionate gesture to soften the hard feelings that have existed between them since they quarreled (he hopes), and takes a step away to give Vergil his space.
"I'm gonna go take a shower," he offers, suspecting Vergil might appreciate a little alone time. "Then I'm gonna help you in the kitchen 'cuz whatever you're doing over there smells damn good and I want in on the action. If that's okay with you."
no subject
"Yes," Vergil says, his voice thinner and quieter than he intends for it to be. Swiping at an eye to push aside the last of the emotions that spilled out just moments ago, he clears his throat before lightly folding his arms. His voice is stronger when he speaks again, but the sheepishness in which he speaks makes what he says sound more like a confession than anything else. "It is for you, anyways. I... I know you don't remember it, but I learned to make pizza from scratch in that other world. I spent weeks trying to get to the sauce and crust to your preferences."
Vergil is, indeed, a little pink and finding somewhere else to look far more interesting than sparing a glance at Dante to gauge his reaction. It was one thing to just do the task of perfecting a pizza recipe for his brother, and it's entirely another thing to acknowledge doing it. Especially when a good portion of that process involved reading endless books on the matter of how to perfect the sauce and crust by way of measurements, ingredients, and techniques, and some involved private testing that Vergil did not subject anyone but himself to eating until he felt he had something presentable.
no subject
Dante's not a cook. Never found the time, never had the set up to cook something genuinely good and nutritious; for all the front that he'd put up in his days as Tony, the evenings when he'd wrangled an invite to Grue's for dinner and been fed Jessica's doria had been something he'd genuinely enjoyed. It wasn't so much the food, it was being part of a family again, watching the interplay between the sisters and their father, eating rice gratin dish with them and knowing that care and effort had been put into the meal beyond looking at a take out menu and deciding on a what to get. He still remembers cooking with their mother, eying up opportunities to sneak a taste or lick the bowl when she was baking, often battling Vergil for the rights to the wooden spoon. He's not a cook but he knows the effort involved. He's taken to getting out of his seat after dinner on instinct now to take care of the dishes when Nero's cooked for them. It's his way of showing his appreciation.
Vergil has learned to cook. For him. His brother's been looking out for him, and has felt like that's been his job his whole life going by their conversation today.
Maybe it's time Dante started repaying that favor.
It's what he'd felt he'd been doing with Nero from the moment he'd left Yamato with him in Fortuna. Sure he'd kept his distance, felt it was necessary to in order to keep his nephew's existence on the down-low from any other forces that wanted a piece of his father's legacy. It was better to shoulder that burden on his own than to offload it onto a teenager who'd never asked for it, who had no idea he even had a place in that mythology Dante had grown up in the shadow of. It was protecting the last piece of his brother the only way he knew how. Nero had made it pretty obvious to him that it hadn't been the best way to support him, knowing what he knows now about the kid's yearning for family, but he'd done it with the best of intentions.
And now he's standing here, patching things up with his brother who's making him pizza.
It's a strange feeling when his eyes begin to water.
"That-" damn it, the lump in his throat's back. "That sounds great. Thank you."
Feeling exposed and uncertain, he takes a second to compose himself, swiping at his nose with the back of his hand to disguise the fact that he's wiping the corner of his eye.
"You're gonna have to show me how to do that."
no subject
But they're speaking of it now, and Dante is tearing up from the swell of emotion. He's asking to be further part of it even if it doesn't come out like a question. Vergil nods a little.
"If that is something you would like," he says, trying to not look too pleased with the prospect. Vergil never minded how things were between them in Folkmore. But this is the first time in a very long time that Vergil can think of where it felt like they were in step with one another.
It's not really Vergil's preference, but Nero has certainly worn him down plenty that it doesn't feel so unnatural to step closer to his brother that it prevents Vergil from doing so. The embrace Vergil pulls Dante and his barely contained tears into is a little hesitant at first. He's clearly testing the waters without Dante to be the one bulldozing ahead and rolling the dice. But it's alright in the end, and Vergil relaxes a little. He's quiet for a moment longer before he speaks.
"I promised you this once before, but I will promise it to you again. I'm where I should have always been. I'm with you." Vergil holds onto Dante a little bit tighter. He knows it doesn't make up for all the years they lost. Nothing can reclaim that time. But they have now. They have the future. And Vergil intends to do everything in his power to protect it. "I won't leave you again, little brother. I promise."